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Tom petty heartbreakers vox amps12/5/2023 “This film is part and parcel of the same thing,” Tench says. The documentary seemed to him almost the other half of that, he says. Tench had already worked with Heartbreakers’ guitarist Mike Campbell, Adria Petty, and Tom Petty’s widow Dana Petty on a sprawling box set of “Wildflowers” outtakes, alternate versions, and live tracks. “It was like a gift from heaven for me to work on this film.” ‘Hearing Tom talk’ So I just dove into this archive of beautiful footage and incredible music. “And then it was like this box of sunshine had dropped out of the sky into my arms. “The world was in a very sort of chaotic and kind of scary place,” Wharton says. “I was like, ‘Nothing, me and the rest of America are in our sweatpants with nothing to do,’” Wharton says.Īdria Petty and producer Peter Afterman told her that they’d recently unearthed an archive of film shot in the mid-’90s as Petty was working on “Wildflowers,” most of which had never before been seen, and asked Wharton if she wanted to shape it into a documentary film. Two decades later in early 2020, not long after the pandemic sent the world into lockdown, Adria Petty called Wharton, who’d just finished the documentary “Jimmy Carter: Rock and Roll President,” and asked what she was working on. “It wasn’t like, ‘I’m Tom Petty’s daughter, so I deserve special treatment.’ She was just a really cool young lady. “I was always impressed that she didn’t lead with that,” Wharton says. “I had always been a fan of his music, but I really fell in love with him as a person.”Ī few years later, she was working with a new hire at VH1 named Adria Petty, who only after Wharton started to piece together clues, acknowledged that Tom Petty was her father. “He was such a classic Southern gentleman,” says Wharton, who like Petty, grew up in northern Florida. At the start of her career when she was working at the VH1 music channel, she flew to Los Angeles to interview Petty for a short documentary on “Wildflowers,” a solo record though it included all but one of the Heartbreakers in the band Petty and producer Rick Rubin put together. In a way, the director Wharton had been preparing for this film all of her working life. “The relationship I think I would have with him now, and the conversations I would love to have with him now, would doubtless be different,” he says. Watching the new film, and appearing in it either in archival footage shot during the recording of the 1994 “Wildflowers” album, or new interviews with director Mary Wharton, Tench felt regret for what on a very personal level might have been.
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